Most popular Sindhi Sufi Music Singer Faqeer Abdul Ghafoor acquired his early training at the shrine of “Hazrat Sachal Sarmast R.A,” where he sang a variety of superb Sindhi Kalam, classical music, and songs about love.
He had sung with its rural foundation, its “Autaqs,” and most significantly in terms of music, Shrines, “Peers,” and “Faqeers.” Many notable Sindhi artists gathered at the Sufi Buzrigs shrine, especially in Sindh.
In Sindhi music, Faqeer Abdul Ghafoor has established a strong reputation. Faqeer Abdul Ghafoor began studying and performing music at a young age. He grew up surrounded by the sounds of the Shrines and the “Sindhi Songs” of the “Sufi Poets.”
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Sindhi Suf Music Singer Faqeer Abdul Ghafoor Biography
Faqeer Abdul Ghafoor Sindhi Sufi Music Singer. He was born in 1910 in the Village culture and feudal society of Sindh. He was the most popular Sindhi Old Classical Music Artist. He was sung a lot of great songs in the Sindhi and Saraiki languages.
When he was young, the music of the shrines was the dominant form of musical expression at the popular level. Faqeer Abdul Ghafoor “Turbaned Figure”, “Yaktaro” held aloft, steps onto the stage. Beside him is a smaller, younger man, several other Saffron-robbed Faqeers follow with open roars.
They have sung “Sindhi Folk Music” and gained invaluable experience, listening to them and storing away their particular styles and approach, he sung also the poetry of “Hazrat Shah Abdul Latif Bhitai R.A. This great singer breathed his last in 1986.
Old Sindhi Sufi Music’s History
Sufi music is most frequently associated with South Asian Sufi culture. But music is also essential to the whirling dervishes’ Sema ceremony, which is performed to the vocal and instrumental composition Ayin, which features traditional Turkish instruments like the ney (a reed flute).
Another style is the West African Gnawa, and Sufis from Indonesia to Afghanistan to Morocco have made music an essential part of their religious rituals. Some Sufi organizations have adopted a puritanical style of Islam, declaring music to be detrimental to the Sufi method.
Sufism in Sindh refers to the Sufi tradition in Sindh, which is thought to be a mystic region. The vast number of saints and mystics who lived in Sindh and advocated for peace and brotherhood are famed for it. Legend has it that 125,000 of them are interred on Makli Hill, close to Thatta. Sindh has always generated a large amount of Sufi literature.
According to some academics, Usman Marwandi, also known as Lal Shahbaz, was the first torchbearer of Sufism in Sindh. He lived in the 13th century. Sufism, according to these academics, entered Sindh through Herat, Qandhar, and Multan. In the 18th century, Sufism flourished in Sindh thanks to the poetry of saints like Shah Abdul Latif of Bhit and Sachal Sarmast of Daraz.
How Does Sindhi Sufi Music Affect Spiritual Rest?
In order to place the music-poetic effect within an Islamic meaning paradigm, Sindhi Kaafi performers in Kachchh, Gujarat intertwine Islamic teachings with dramatic events from local traditions.
I examine three implicit performance logics, each of which interacts in a unique way with the allusive meanings of Sufi lyrical texts, to explain how Kaafi singers incorporate explanation and storytelling into their performances.
How the performative process of connecting elements of Islamic philosophy, history, and belief to feelings of empathy for story protagonists and feelings derived from lived experience supports the rich indexicality that supports musical affectivity.