Most popular Naat Khawan Hafiz Marghoob Ahmed and recite Naat in respect of Rasool Maqbool S.A, which is an Arabic word that translates to mean “attestation,” by Hafiz Marghoob Ahmed, a very well-known Pakistani Naat artist. Following that, Naat encounters the Holy Prophet Hazrat Muhammad’s attestation in Urdu (P.B.U.H).
A work honoring the Holy Prophet Muhammad (PBUH) is also available in several languages, such as Arabic and Farsi. The first Arabic Naat composed during the lifetime of the Holy Prophet Muhammad is Naat Shrafi, which is already complete (P.B.U.H).
Naat has been adapted into countless works written in languages around the world, such as Persian, Urdu, Turkish, Punjabi, Sindhi, Pashtu, and Seraiki. Naat Sharif is a well-known Urdu performer with a lengthy resume recited by Hafiz Marghoob Ahmed.
Most Urdu poets have written at least two or three couplets in praise of the Holy Prophet Muhammad (P.B.U.H. ), and the unique perspective on Arabi Naat’s recklessness is as old as the Urdu language itself and Naat Sharif recited by Hafiz Marghoob Ahmed.
Despite the fact that fundamental Urdu poets like “Mir Taqi Mir,” “Maumin,” “Karamat Ali Shaheedi,” and Ghalib wrote couplets honoring the Holy Prophet of Islam (P.B.U.H. ), Naat in Urdu did not become a well-known and distinct poetical form that was unique to itself until the crucial period of the nineteenth century.
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Hafiz Marghoob Ahmed Hamdani Naat Khawan Biography
Lahore is where Hafiz Marghoob Ahmed was born. Hakeen Manzoor Ahmad Hamdani, his father, was a native of Ludhiana. His father wanted to turn him into a hafiz of the Quran. He was inspired to become a Naat Khawan by his father, who was also an ardent Naat Khawan. He won the All Pakistan Qirrat tournament while he was young, but Naat Khawani brought him to public attention.
Hafiz Marghoob Ahmed submitted an application to Radio Pakistan in 1967 but was first turned down. However, he was chosen a few months later. He also made an appearance on Pakistan Television in the same year, 1967. Numerous people around the world admire Hafiz Marghoob Ahmed Hamdani for his devotion to Naat Khawani and his wonderful voice.
The most well-known Pakistani Arabi Naat Khawan is Hafiz Marghoob Ahmed. Hafiz Marghoob Ahmed is actually one of the most prominent Naat Khawans in existence today. His magnificent, sweet voice and distinctive way of performing Naat Sharif to convey the worship for our consecrated, sacred, and holy Prophet Muhammad, Peace Be Upon Him, have earned him acclaim around the world.
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At no age, he was made visible to the public. He participated in numerous competitions while still a student and won numerous prizes. He also took pleasure in Pakistani national tournaments, where he also took home top honors. On Radio Pakistan and Pakistan Television, he was the most well-liked Naat Khawan.
How is the main character of Naat Sharif recited in Islam?
Arabi A portion of Muhammad, the Islamic Holy Prophet request, is included in Naat Sharif (P.B.U.H). In South Asia (Bangladesh, Pakistan, and India), masterminding is well-known and is often spoken in Bengali, Pashto, Punjabi, or Urdu. “Hamd Sharif” is a top-notch “Accreditation to God” and God alone, not to be confused with “Na’at.” In Arab countries, “Madih Nabawi” is a character who lacks and adores Hazrat Muhammad (P.B.U.H).
Since there is no available record of when Naat Khawani began, it is difficult to trace its historical foundation. Hassan was a pioneering producer who went by the moniker Shair-e-Darbaar-e-Risalat. If everything else fails, he was a talented worker even before he encountered Islam, but after learning about Islam, he gave his hold down another try and started writing Na’ats out of gratitude for Muhammad (P.B.U.H).
He was well renowned for his poem that assured readers that Hazrat Muhammad (P.B.U.H) was taking the experts who opposed him and his faith into account. Currently, is recognized as the key Sana-Khawaan (naat reciter) of that era. After that, another creator took this lead and fully committed themselves to creating with Naats. One of the earliest Naats is Badru ‘Alayna, a song performed to Muhammad (PBUH) as he was ending his journey to Medina in 622 CE.
Urdu Naat Sharif history and Ancient Arabic history
As a result, many Urdu scholars, especially after 1857, created Naat Sharif in its entirety after carefully considering the relevant circumstances. The track was driven by Altaf Hussain Hali’s illustrious “Musaddas,” “Madd-o-Jazar-I-Islam.”
It features a variety of stanzas written in the Arabic Naat Sharif style. Similar Naat elements can be found in his other sonnets. Shibli Nomani, Maulana Zafar Ali Khan, and Allama Iqbal stayed in touch with some moving true and nationalistic pieces with Naat Sharif parts after receiving a brief from Hali. The skilled artisan “Maulana Ahmed Raza Khan Barelvi” is well-known for his Naat Sharif. Later Urdu stanzas of the Naat began after the open gateway in 1947, especially in Pakistan.
A full explanation of Naat Sharif and its significance
Naat Sharif is finally being restricted by many specialists. However, it is strange because Naat’s main plans are superb in every way that counts. The fundamental Urdu treatise on the advantages and standards of academic evaluation is “Maulana Hali’s” “Muqaddama-i-Sher-o-Shaeri,” yet it avoids any discussion of the Naat Sharif verse. The works by “Ameer Meenai” ensure “Mohsin Kakorvi” are maybe the most important central Urdu syntheses that examine Naat in light of applicable good circumstances and sparkling features.
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It was none other than “Muhammad Hasan Askari” who, in his film on Mohsin Kakorvi, illuminated the way for the knowledgeable individuals who would go on to influence the issue in the years to come. Nevertheless, Askari is not entirely persuaded by the Naat passages in Hali’s Musaddas.
He believed that Hali had written those stanzas from a Western and pioneer perspective, praising some aspects of the life and character of the Holy Prophet Muhammad (P.B.U.H.) that are positively “humanistic” rather than “staggering,” since Askari had sold out pioneers and Modernism.
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He was granted a Ph.D. by the School of Nagpur in 1955 for his composition “Urdu Mein Naatiya Shaeri.” The book Urdu Ki Naatiya Shaeri by Dr. Farman Fatehpuri was distributed around Karachi in 1974. The book “Urdu Ki Naatiya Shaeri” by Dr. Talha Rizvi Barq was spread over India that year.
Undoubtedly, when writing the book and completing their rating, both masters were unaware of the other’s work. Dr. Riaz Majeed created Urdu Mein Naat Goi in Pakistan, joining “Sabeeh Rahmani,” the country’s first doctoral dissertation on Naat Sharif, which was delivered in 1990.
Sabeeh Rahmani has provided an arrangement history of central and research works finished on naat in Urdu in his first created and appropriated book in Urdu, “Naat Ki Shaeri Rivayet.” Dr. Rafiuddin Ashfaq has the distinction of earning the first since consistently Ph.D. on a theory dissecting and examining Urdu’s Naat Sharif, despite the fact that we now have approximately 10 Ph.D. and several M Phil and MA pieces created in the class out of Naat in Urdu.
