Hooriya Rafique is a very popular Pakistan Islami Naat Khawan. Naat Rasool Maqbool S.A is an Arabic word and it interprets, genuinely, affirmation. After that in the Urdu language, Naat Rasool finds the assertion of Holy Prophet Hazrat Muhammad (P.B.U.H). A piece with a commendation of the Holy Prophet Muhammad (P.B.U.H) is also called Naat in Urdu and you listen to naats in various tongues, for instance, in Arabic.
In the Arabic language Naats exist yet it is gathered as “Madh”, The soonest Naats were written in Arabic during the lifetime of the Holy Prophet Muhammad (P.B.U.H). Naat showed up in unending world-made works, including Persian, Urdu, Turkish, Punjabi, Sindhi, Pashtu, Seraiki, and more. Naat Rasool S.A. is down in Urdu and has a long history and is recited by Hooriya Rafique.
Since generally every Urdu author has made at any rate a couple of couplets in confirmation of the Holy Prophet Muhammad (P.B.U.H), the specific perspective on Urdu Naats goes without is as old as Urdu territory itself Naat download recite by Hooriya Rafique.
Regardless of the way that critically gifted specialists of Urdu, for instance, “Qulli Qutub Shah”, “Karamat Ali Shaheed” and Ghalib made couplets praising the Holy Prophet of Islam (P.B.U.H), it was not until the primary section of the nineteenth century that Naat in Urdu decline changed into a conspicuous and obvious poetical sort with no other individual.
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Hooriya Rafique Pakistani Naat Khawan Complete Biography
Hooriya Rafique Qadri is one of the most popular Naat Khawan in Pakistan. She has a heartfelt and noteworthy voice that is extolled by the masses. She has an amazing identity and earned gigantic prominence and regard all over Pakistan due to her special style of Naat recitation. A portion of the well-known Hooriya Rafiq Qadri Naats incorporates “Yaa Rabi Allah”, “Yaa Ghous”, “Moula Ao Noise Vi Aaye” and “Milad Un Nabi Laya Hai” to give some examples.
Hooriya Rafique is the most outstanding Pakistani Naat Khawan. She is, in reality, one of the essential present Naat Khawan around the globe. She is loved all over the world for her extraordinary sweet voice and she is of a one-of-a-kind style of demonstrating Naat Rasool S.A. to express her love for our Blessed Holy Prophet Muhammad Mustafa, Peace Be Upon Him.
Islamic Naats: Saira Naseem, Hooriya Rafique, Mehdi Hassan, Umm-e-Habiba, Harfiz Marghoob Ahmed, Alhaj Khurshid Ahmed, Shahbaz Qamar Fareedi
Hooriya Rafique has been seen and shown to general society at no age. Different conflicts facilitated her understudy life, she won a lot of awards. She has also refreshed National Rivalries in Pakistan where she had additionally won central prizes. She is the most famous Naat Khawan and she is most prominent on Radio Pakistan and Pakistan TV.
A Brief History of the Naat Sharif in Islam
In the insistence of the Islamic Holy Prophet, Muhammad, Naat Rasool SA is a fragment (P.B.U.H). In South Asia (Bangladesh, Pakistan, and India), the arrangement is common and is typically spoken in Bengali, Pashto, Punjabi, or Urdu. Those who discuss Naat are referred to as Naat Khawan or “Sana’a-Khua’an.”
To distinguish it from “Na’at,” “Hamd Sharif” is a position that is only given by God. Going without and idolizing Muhammad (PBUH) are referred to as “Madih Nabawi” in Arab nations. Since there is no required record of when Naat Khawani began, it is challenging to follow its historical development Naats by Hooriya Rafique.
Hassan was a famous early manufacturer known as Shair-e-Darbaar-e-Risalat. If there’s any doubt, he was a talented worker even before enduring Islam. however, after learning about Islam, he decided to try again and began writing praise songs for Muhammad (P.B.U.H).
He was famous for his stanza that secured Muhammad (P.B.U.H) considering for masters who ambushed him and his religion. Right now, it is known as the basic Sana-Khawaan (naat reciter) of that time. After that diversity, a maker followed this model and totally dedicated themselves to making out of naats. “Tala’ al Badru ‘Alayna”, a tune sung to Muhammad (P.B.U.H) during his completion of the improvement to Medina in 622 CE, is perceived to be one of the soonest Naats by Hooriya Rafique.
The Significance of Naat Sharif in Islam
Numerous Urdu scholars gave Naat Sharif a thorough analysis of the unique circumstance, particularly in the post-1857 period. The track was driven by Altaf Hussain Hali using his well-known “Musaddas,” “Madd-o-Jazar-I-Islam.”
It has various stanzas written in the Naat Sharif style. His numerous poems also contain passages from Naat Rasool S.A. Shibli Nomani, Maulana Zafar Ali Khan, and Allama Iqbal maintained in touch with some stirring real and nationalistic portions with Naat Sharif parts after receiving a brief from Hali. Maulana Ahmed Raza Khan Barelvi is another gifted worker well-recognized for his Naat stanza by Hooriya Rafique and other Naat Khawan.
After the open entryway in 1947, later of Naat in Urdu stanza began, especially in Pakistan. Innumerable experts are in the end limiting Naat Sharif.  In any case, it is anomalous that central game plans with Naat are for all intents and purposes wonderful.
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The key Urdu treatise on the benchmarks and criteria of academic evaluation is “Maulana Hali’s” “Muqaddama-I-Sher-o-Shaeri,” at least because it steers clear of any references to the Naat Sharif stanza. The works of “Ameer Meenai” and “Mohsin Kakorvi” may be the first Urdu syntheses that focus on Naat under applicable favorable circumstances and breathtaking features.
Overview and Complete Details about Urdu Naat Sharif
Unmistakably, both experts were unaware of each other’s contributions while writing the book and completely finished their evaluation. Dr. Riaz Majeed created Urdu Mein Naat Goi, the first doctoral recommendation on Naat Sharif in Pakistan, for “Sabeeh Rahmani” in 1990. He was granted a Ph.D. by the School of Nagpur in 1955 for his composition “Urdu Mein Naatiya Shaeri.”
The book Urdu Ki Naatiya Shaeri by Dr. Farman Fatehpuri was lost in Karachi in 1974. The book “Urdu Ki Naatiya Shaeri” by Dr. Talha Rizvi Barq was published in India that year. It was none other than “Muhammad Hasan Askari” who paved the road for the knowledgeable people who would impact attitudes on the subject in the years to come by filming a film about Mohsin Kakorvi.
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Sabeeh Rahmani has provided a setup history of fundamental and research activities concluded on naat in Urdu in his beginning late designed and appropriated book Urdu, “Naat Ki Shaeri Rivayet.” Dr. Rafiuddin Ashfaq has the chance to win the first-since-reliable Ph.D. on a hypothesis analyzing and researching an Urdu Naat stanza, despite the fact that we currently have around ten Ph.D. and a few M Phil and MA pieces made in the class out of Naat in Urdu.
