Marwari and Sindhi Folk Music Artist Hyder Rind. He is one of the best-known performers of Sindhi folk music. He has performed Sindhi Folk Music as well as Sindhi Classical Music using a new Alghoza Instrument style. Hyder Rind’s most well-known Sindhi songs as well as well-known Marwari songs have both been chosen. In response to the crowd’s cries, he sang.
In addition to Aleem Khaskheli, Hyder Rind is a well-known Marwari, Dhatki, and Sindhi singer on the Alghoza Been. Particularly in Therparker, Badin, and Thatta, he is excellent and well-liked. Hyder Rind is also beloved by all Sindhis.
In Sindh, Hyder Rind is a highly well-known singer. On the traditional Marwari songs known as Alghoza, Hyder Rind pioneered a new vocal technique. I’ve included some of Hyder Rind’s most well-known Marwari and Sindhi classical compositions here below.
Selected Sindhi and Marwari Songs of Hyder Rind Free Download
Hyder Rind, a singer of Sindhi folk music, Biography
In the village of “Karimdad Ji Tarr” Therparker Sindh, Hyder Rind was born in 1955. He is a talented Marwari and Sindhi singer from Therparker Sindh and is known for popularising Marwari music in Sindh. From Mithi Therparker, he received musical instruction from Ustad Luqman.
Alghoza Been and Hyder Rind performed Sindhi and Marwari folk music at weddings, Melas, mehfils, and other events. It will soon become a very well-liked town in the villages. In the Sindhi program “Mehfil” on Pakistani television, Hyder Rind gave a fantastic performance.
People from Sindh will never forget this brilliant artist. People enjoy his amazing manner and pleasant tone as he sings Alghoza, a great traditional folk song. Particularly in root locations, Hyder Rind music is played throughout the vehicle, mehfil, Aotaq, and marriage ceremonies.
Why Marwari Music is Popular in Rajhastan and Sindh?
This style of music comes from Rajasthan, one of India’s states, and the location of Udaipur, Jodhpur, and Jaipur, three significant sites of Indian musical growth. The music of the region is comparable to that of both the Pakistani province of Sindh and the neighboring Indian regions of India.
The castes of musicians from Rajasthan include the Manganiar, Sapera, Langas, and Sapera. The Langas, who primarily adhered to Muslim audiences and techniques, and the Manganiars, who took a more liberal stance, are two traditional kinds of musicians.
Women’s Panihari songs, which musically reflect household responsibilities, are an important aspect of Rajasthan’s traditional music. Wells and water are also important to Rajasthan’s desert culture. Other songs, performed by other castes, typically start with the alap, which establishes the melody and is then followed by a couplet recital (Dooba).
Heroes like Devnarayan Bhagwan, Gogaji, Ramdeoji, Pabuji, and Tejaji are described in epic ballads. Rajasthani folk music places a strong emphasis on the celebration of the passing of the seasons. The majority of traditional folk songs focus on welcoming the monsoon season or celebrating the harvest.
Historical Sindhi Folk Music in Algoza in Rural Areas Sindh
Sung in Sindhi and Marwari, music from the Sindh region is mostly performed in the Waee genres in Algoza and Arfana Sad Kalam. Hyder Rind on Algoza Instrumental Music first introduced the Baits style of music, which is Graham or gentle Sanhoon songs. In Marwari and Sindhi songs, the instrumental Waee is played in a number of styles using string instruments. Waee, sometimes referred to as Sindhi Kafi, and other Sindhi songs sung by performers like Hyder Rind.
The Kalam and Kaafi can be heard in the Kutch Rajhastan region’s surroundings, while Hyder Rind, particularly in Punjabi and Balochistan folk music, is quite well-known. The Marwari and Sindhi poetry of Hazrat Shah Abdul Latif Bhitai R.A., which are recited and are known as Raags on Instrumental Algoza, has been sung in Sindhi and Marwari by the Sindhi singer Hyder Rind.
Most early distributions in the history of Sindhi folk music from Shah Jo Risalo frequently consisted of 36 Surs, but later, the majority of Sindhi songs were sung in their language and content, like Marwari. Songs for singers were chosen by the best authority on the etymology of the Sindhi language, among others.