The most popular Pakistani playback singer Inayat Hussain Bhatti was also an actor, producer, director, thespian, social worker, columnist, and protagonist in Pakistani movies. Additionally, he fostered the Punjabi language and literature and gave rise to notable figures in Pakistani classical music and Punjabi folk music.
His best-known films include Heer, Kartar Singh, and Sadqay Teri Mout Tun. In 1949, Master Shami introduced Inayat Hussain Bhatti to author Ghulam Ahmed Chishti and gave him the opportunity to record a few Pakistani songs for producer Nazir Ahmed Khan’s “Film Pheray 1949.”
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Pakistani Playback Singer Inayat Hussain Bhatti, Biography
Inayat Hussain Bhatti Pakistani Folk Music Artist. He was born on 12 January 1928, in Gujrat Pakistan. He turned into an overnight VIP. Producer Music Director Nazir offered Bhatti Sahib the main part in his “Punjabi Film Heer 1955” against Swaran Lata. He was the main hotshot playback Artist of Pakistan after its autonomy in 1947. He was the most famous artist of Punjabi Old Folk Songs.
His professional career spanned almost five decades. He suffered a loss of motion attack in 1997, which impaired his speech and kept him off the job most of the time after that. The 71-year-old artist was brought to his hometown of Gujrat a couple of days before he passed away, and there, on May 31, 1999, he passed away and was buried alongside his family.
Career and Performance of Inayat Hussain Bhatti in the Film Industry
Inayat Hussain Bhatti was the only male performer in the Pakistani cinema industry to simultaneously become a big star as an actor and a singer. His first project as a movie producer was the 1962 film Waris Shah, which was based on the life and writings of the famous Punjabi Sufi poet. His third film, Chann Makhna (1968), in which he played the lead role, proved to be a commercial success and won the Nigar Award for best picture of 1968. His second film, Moonh Zor (1965), which he produced, was also unsuccessful. However, in 1967, Chann Makhna was released. It was also his third effort.
Inayat Hussain Bhatti began performing in folk theatre, Pakistani cultural music, Lok music, and Pakistani film music in the 1960s. He also began acting and singing, and he and his theatre group traveled to the rural hinterland of Punjab where he sang his songs and recited the works of famous Sufi poets like “Waris Shah, Bulleh Shah, Mian Muhammad Bakhsh, Sultan Bahoo, and Shah Abdul Latif Bhittai R.A.
Inayat Hussain Bhatti produced 30 movies under the name Bhatti Pictures over his nearly five-decade-long cinema career, and he appeared in over three hundred more. He recorded more than 2500 songs in the Urdu, Punjabi, Sindhi, and Saraiki languages, lending his voice to about 500 films.
For the last forty years, Radio Pakistan Lahore has broadcast one of its Arabic naats on a regular basis during the holy month of Ramadan. The Pakistan Army has adopted the patriotic song “Allah-O-Akbar” by Bhatti from the 1958 film Genghis Khan as its anthem.
Pakistani music’s first performances and early life
In 1949, Master Shami introduced Bhatti to composer Ghulam Ahmed Chishti, who gave him the chance to record a few songs for producer-director Nazir Ahmed Khan’s movie Pheray (1949). Bhatti nearly instantly rose to fame after this movie’s success. Nazir, the film’s producer, and director offered Bhatti Sahib the starring part opposite Swaran Lata in his 1955 Punjabi film Heer.
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Inayat Hussain Bhatti traveled to Lahore in December 1948 to begin his legal studies, originally lodging at the MAO College Lahore hostel. He gave his maiden public appearance in the YMCA Hall in Lahore a few months after moving there. Following his performance in the YMCA auditorium, Bhatti went to Radio Pakistan in Lahore with Ijaz Gilani. There, he met Master Niaz Hussain Shami, a composer who was then employed by Radio Pakistan in Lahore, and formally apprenticed under him.