The most popular Urdu Mehdi Hassan Naats is an Arabic word that suggests, really, praise it infers in respect of the Holy Prophet Hazrat Muhammad (S.A) and works with honor, in the religion of Islam and Muslims recites as Dua with spiritual affection and love with Holy Prophet (S.A).
In the Arabic section, Naat the class exists yet it is designated “Madeeh”, the soonest was written in Arabic during the lifetime of the Holy Prophet Muhammad (S.A). In the language of Arabic, showed up in innumerable world-composed works, including Sindhi, Pashtu, Seraiki, Persian, Urdu, Turkish, Punjabi, and some more about Mehdi Hassan Naats.
The custom of making Urdu Mehdi Hassan Naats stanzas in Urdu has a long history. Since practically every Urdu author has made at any rate several couplets in acknowledgment of the Holy Prophet Muhammad (S.A), the chronicled setting of Urdu is as old as the Urdu section itself.
The way that huge specialists of Urdu, for instance, “Ghalib”, “Qulli Qutub Shah”, “Vali Dakani”, “Mirza Sauda”, “Mir Taqi Mir”, “Karamat Ali Shaheed” created couplets lauding the Holy Prophet of Islam (S.A) it was not until the key portion of the nineteenth century that in Urdu section transformed into an apparent and undeniable poetical sort without any other person and Mehdi Hassan Naats.
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Naat Khawan Mehdi Hassan Complete Biography
Mehdi Hassan was born on 18 July 1934 in Luna, Rajputana Agency. He was the most popular Ghazal and Urdu Naat reciter in Pakistan. He claims to be the sixteenth era of genetic performers hailing from the Kalawant family of artists. Mehdi Hassan had his melodic preparation from his Father Ustad Azeem Khan and uncle Ustad Ismail Khan who were both conventional Dhrupad singers.
He began to perform at a youthful age and the principal show of Dhrupad and Kheyal with his senior sibling is accounted for to have been held in Fazilka Bangla, close to the present DC House (1935) of Unified Punjab. His senior brother Ghulam Qadir was exceptionally reassuring in honing his abilities.
Mehdi Hassan was the most well-known Pakistani Naat Khawan and Mehdi Hassan Naats was very popular. He was the most popular Artist in Pakistan and he recites Naats on Radio Pakistan, he had an enthusiasm for Urdu verse, and along these lines, he started to explore by singing Ghazals, and Naats on low maintenance premise.
Islamic Naats: Saira Naseem, Hooriya Rafique, Mehdi Hassan, Umm-e-Habiba, Harfiz Marghoob Ahmed, Alhaj Khurshid Ahmed, Shahbaz Qamar Fareedi
He refers to radio officers Z.A. Bukhari and Rafiq Anwar as having extra impacts on his movement as a Ghazal singer. He first sang on Radio Pakistan in 1952. In 1964, his Ghazal for the Film Farangi, “Gulon Mein Rang Bharay, Baad-e-Naubahar Chale” was composed by eminent Pakistani writer Faiz Ahmed Faiz and created by Rasheed Attre, gave him the first Ghazal artist Faiz Ahmed Faiz quit recounting.
It is his “Mushairas” verse presenting occasions and, rather, suggested that the gathering of people approach Mehdi Hassan to sing it for them on the grounds that the artist tongue in cheek used to state that the Ghazal had a place with Mehdi Hassan after its fame.
What is Urdu Naat and its definition in Islam?
Urdu Naat is a stanza in acknowledgment of the Islamic Holy prophet, Muhammad (S.A). The preparation is well known in South Asia (Bangladesh, Pakistan, and India), consistently in Bengali, Pashto, Punjabi, or Urdu. People who examine Naat are known as Naat Khawan or Sana’a-Khua’an.
World-class “Acknowledgment to God” and God alone is designated “Hamd Sharif”, not to be confused with ‘Na’at’. In Arab countries, refrains and praises said for Muhammad (S.A) are classified as “Madih Nabawi”. It is difficult to follow the chronicled setting of “Naat Khawani” since no affirmed record of when it began can be found.
One early maker, Hassan, was known as Shair-e-Darbaar-e-Risalat. In reality, even before enduring Islam, he was an artist, yet in the wake of getting a handle on Islam, he gave another go to his refrain and started making Na’ats out of gratefulness for Muhammad (S.A).
He was notable for his section that shielded Muhammad (S.A) considering specialists who attacked him and his religion. Right now, it is known as the principle Sana-Khawaan (naat reciter) of that time. After that, an essayist followed this example and totally dedicated themselves to making out of naats. “Tala’ al Badru ‘Alayna”, a tune sung to Muhammad (S.A) during his completion of migration to Medina in 622 CE, is acknowledged to be one of the soonest Naats.
History of Urdu Naat Sharif in Islam
A short time later, especially in the post-1857 time, different Urdu Naat Sharif recites full out of the sentiment of the particular situation. Altaf Hussain Hali drove the way with his famous “Musaddas”, titled “Madd-o-Jazar-i-Islam”.
It contains different stanzas made in a style out of Urdu Naat Sharif. His various pieces additionally have Naat segments. With a brief from Hali, Shibli Nomani, Maulana Zafar Ali Khan, and Allama Iqbal stayed in contact with some moving bits of the severe and nationalistic section with Naat Sharif segments. Another artist known for his Naat stanza is “Maulana Ahmed Raza Khan Barelvi”.
After the opportunity in 1947, another time of Naat in the Urdu stanza began, especially in Pakistan. A tremendous number of specialists are framing Naat Sharif by Mehdi Hassan Naats. However, it is odd that fundamentally taking a shot at Naat is uncommon. “Maulana Hali’s” “Muqaddama-I-Sher-o-Shaeri” is the essential treatise in Urdu on the specialists and measures of academic investigation, anyway it abstains from anything identified with the Naat Sharif section.
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“Ameer Meenai’s” works protecting “Mohsin Kakorvi” are perhaps the essential fundamental Urdu pieces that look at Naat dependent on dynamic advantages and awesome characteristics. It was none other than “Muhammad Hasan Askari” who, while creating on Mohsin Kakorvi, lit up the way for the savants who were to make with respect to the issue in the years to come to Mehdi Hassan Naats.
Overview and Details About Mehdi Hassan Naats
Mehdi Hassan Naats are still famous all over Pakistan and nevertheless, Askari is fairly unconvinced of the Naat segments in Hali’s Musaddas. Plainly, both the analysts were uninformed of each other work while forming the book and uninhibitedly completed their assessment. In Pakistan, incorporating “Sabeeh Rahmani”, Dr. Riaz Majeed composed Urdu Mein Naat Goi, the first doctoral proposal in Pakistan on Naat Sharif and Mehdi Hassan Naats which was conveyed in 1990.
Since Askari had sold out trailblazers and Modernism, he felt that Hali had made those stanzas from a Western and pioneer point of view, commending certain pieces of the life and character of the Holy Prophet Muhammad (S.A) that are continuously “humanistic” than “extraordinary”.
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In his starting late arranged and dispersed book Urdu “Naat Ki Shaeri Rivayet”, Sabeeh Rahmani has given a format history of essential and research works finished on naat in Urdu. As demonstrated by him, but at this point, we have around 10 Ph.D. and a couple of M Phil and MA compositions made in the class out of Naat in Urdu, Dr. Rafiuddin Ashfaq has the separation of winning the first-since everlastingly Ph.D. on a hypothesis examining and evaluating Urdu’s Naat refrain.
School of Nagpur allowed him a doctorate in 1955 on his work “Urdu Mein Naatiya Shaeri”. In 1974, Dr. Farman Fatehpuri’s book Urdu ki Naatiya Shaeri was conveyed from Karachi. Dr. Talha Rizvi Barq’s book “Urdu Ki Naatiya Shaeri” was appropriated from India that year.
