The most popular Sarinda Music Player, Muhammad Faqeer, the Instrument (Surando) Sindhi Saaz, is a very old instrument in Sindhi music history. A Sarinda (Surando) is a stringed Indian people instrument like a lute or fiddle. It is played with a bow and has somewhere in the range of ten and thirty strings. The base piece of the front of its empty wooden soundbox is secured with creature skin. It is played while sitting on the ground in a vertical direction.
The inherent fiddle instruments known as “Dhodro Banam” that can be found all over central, north-western, and eastern India appear to be the ancestors of the Sarinda Music Instrument (Surando). It is an important part of the inborn Santhals’ way of life and religion in West Bengal, Bihar, and Odisha.
Sarinda has a branch known as the Sarangi instrument. Sikh Guru Arjan Dev introduced the Sarinda (Surando) and enhanced them in Sikh devotional music. Several Indian ethnic groups, including the Bauls of Bengal, Punjabis, and social experts from Rajasthan, Assam, and Tripura, use the Sarinda in their traditional music and dance. It serves as the lone backup for a soloist or singing group (s).
Selected Muhammad Faqeer Sarinda Music Free Download
Muhammad Faqeer Sindhi Sarinda Master Biography
Muhammad Faqeer is a singer of Sindhi folk music who plays an instrument. In a rural region of Sindh, he was the most well-liked Sarinda (Surendo) Music Instrument Saaz Artist. He performed music in Surendo.
As a musician in Surando, he was really talented. He has performed numerous songs in Surendo, Sindhi Saaz, and Classical Old Mousiqui, and in the past, people from Sindh, like this Saaz, found him to be quite popular at open Mehfils. People today still enjoy this instrument. Listen to Sindhi Kafi and Sindhi Kalam in Sarinda (Surando). He has a solid reputation in Sindhi Instrumental Songs as an excellent Surando player.
Muhammad Faqeer began playing Surando in Sindh’s feudal village culture, which had a strong rural foundation, Autaqs, and Mehfils, which are the most significant events in terms of music. Muhammad Faqeer began learning and performing Sarinda Music at a young age and spent his childhood surrounded by the sounds of the countryside. Like other instrumentalists of Sindh, he began playing the Sarinda (Surando) when he was a small child.
How to Download Muhammad Faqeer’s Sarinda Instrumental Music
The Sarinda Music (Surando) Saaz is a bowed lute used in North Indian music and is a member of the Afghan Rubab. Its origins are in the former Khorasan region. You may easily and quickly download the top Muhammad Faqeer songs listed below in mp3 format with just one click.
Sarinda Music Instrument’s History (Surando)
An Indian stringed instrument called a Sarinda (Surando) resembles a lute or fiddle. It has between ten and thirty strings, is played with a bow, and is performed on an instrument. Its empty wooden soundbox’s base component is attached to the front with creature skin.
The Sarinda Music (Surando) is thought to have originated from native fiddles called “Dhodro Banam,” which can be found throughout central, northwestern, and eastern India. It is an important part of the inborn Santhals’ way of life and religion in West Bengal, Bihar, and Odisha. A division of Sarinda is Sarangi. Sikh Guru Arjan Dev introduced The Sarinda to and advanced her in Sikh respectful music.
Several Indian ethnic groups, including the Bauls of Bengal, Punjabi people, and the social experts of Rajasthan, Assam, and Tripura, use the sarinda in their traditional music and dance. It serves as the lone backup for a soloist or singing group (s).
How was a Sarinda music instrument called a Surando made?
The Sarinda Music (Surando) is a painted short-necked lute with two loads and a rounded belly made of mulberry wood, the skin of a creature being extended over the lower resonant body’s smaller size. The scaffold, which is covered in skin, is made up of three to four tune strings (tar), one of which is the main string (baj tar), while the others serve as automata strings. Reverberation strings may run in double digits underneath the song strings and through the extension.
The scaffold is uncomplicated. The bow is removed from the area of the wooden body’s striking area. The soundbox’s upper section is open and widens as a result of horizontal points that resemble fledgling wings. The various plans range in length from 60 to 70 centimeters.
The tune strings are typically made of horse hair or gut. The father of the most well-known Sarinda player in Pakistan, Munir Sarhadi, Ustad Pazir Khan, changed the soundbox and replaced the gut strings with metal ones. When performing, the instrument is placed on the left knee while being held vertically. A horsehair is used to hold the bent bow, and a piece is used to wrap the frog.
There are a number of regional variations. The two-section reverberation body with an upper sound space that is open toward the strings is a common feature of all Sarinda varieties. The Bengali sarinda, which has a spherical belly and is richly embellished, includes more than 10 reverberation strings in addition to four play strings. In India’s northeastern district, simpler Sarindas don’t have these reverberation strings.
The Nepali sarangi has a minimally explored neck and is long and thin throughout. Despite its name, it belongs to the Sarindas due to the opening in the upper piece of the body rather than the related box-shaped Sarangis. It features four steel and gut-long strings.