Famous Sindhi comedian and singer Natho Kahri have been dubbed the greatest comedian singer of Sindh. There are numerous audio and video comedic programs available, but Sindh still prefers his older jokes and narrated comedy dastan. In Sindhi-speaking cities and villages, he was the most well-known artist and vocalist.
In open programs, on social media, at Pakistani Sindhi Comedy events, and at other invited tribal gatherings in Sindh, he did well. He was an expert at changing into various human and animal voices and copying the dialogue of other voices.
Selected Sindhi Comedy Artist Natho Kahri Free Download
Sindhi Best Comedy Actor Natho Kahri Biography
Natho Kahri Sindhi Comedy Artist, he was belonging to Badin Sindh and was the most popular Comedian Artist and Singer. He creates a great name in local social Media. This Artist was the most successful Comedian in the Sindhi dialect, especially in District Badin, Thatta, Thperparker, and other districts of Sindh. He was the most popular Sindhi Comedy Actor of Sindhi Comedy singer and following a lengthy illness, he died on 29 March 2012, at the age of 70.
He is survived by two daughters and four boys. Mr. Kehri was referred to as the king of humor and a joke master. He used to be invited by residents of lower Sindh to their wedding celebrations and saints’ fairs where he would amuse attendees and invitees with jokes.
Natho Kahri Performance and Career in Sindhi Comedy
According to family members, Kehri had tuberculosis and had spent the previous eight months confined to a bed. Due to his extreme poverty, he did not receive proper care, and neither the department of culture nor any elected official provided him with financial support, according to the sources.
On Sindhi audio cassettes, this comedian was very well-known, and the audience enjoyed his comedy. He has appeared in shows on the KTN channel as well as on other Sindhi channels, where he also performs comedy songs in Sindhi. This comedian gave strong performances at local mehfils and “Fairs” as well as marriage ceremonies and other events in Sindh. With jokes in Sindhi, Natho Kahri entertained the audience.
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It distinguishes between laughing, comedy, and humor and traces the development of comic genres through classical Greek play, Sanskrit poetry, early China, medieval Europe, and feudal Japan. It also discovers indications of humor in ancient texts and imagery.
How has comedy changed over time, from ancient times to the present?
The chronology continues with a description of well-known comedy festivals, humorous stage productions, and antecedents to the comic novel, demonstrating how these genres influenced contemporary literature and cinema, as well as broadcast sitcoms and live stand-up comedy. The cinema has adapted the amorous impulses of Shakespeare’s love plays to the screen, channeled the freewheeling energy of picaresque novels into episodic road movies, and transformed the Carnivalesque spirit into scenes of cinematic mischief and mayhem.
The stump speech of American minstrel performances, in which an actor in blackface delivered a senseless monologue to the crowd, is where stand-up as a Western art form first emerged. In Sindhi Comedian same role was performed by comedians on stage in open Mehfils, such as comedians, Natho Kahri, and Qadir Bux Mithoo.
While mocking African-Americans was the primary goal of stump speeches, they occasionally included political and social satire as well. Later theatrical genres like vaudeville and burlesque, which originated in the late 19th and early 20th centuries, would be influenced by the minstrel show.
The Stage published a description of a woman named Nellie Perrier performing “stand-up comic ditties in a chic and charming manner” in 1911. However, this description referred to a performance of comedy songs rather than stand-up comedy in its true modern form.