Sohrab Faqeer is the most well-known singer of Sindhi Sufi music. He was a renowned Sindhi artist and sang poetry by a number of well-known poets, including Hazrat Shah Abdul Latif Bhitai, Hazrat Sachal Sarmast, Hazrat Madhu Lal Shah Hussain, Hazrat Baba Bulleh Shah, Hazrat Sultan Bahu, and Hazrat Ghulam Farid.
He was Sindh’s greatest Sufi singer and performed Sufi Raag in particular at all significant gatherings and sites. When Sohrab Faqeer was eight years old, he began singing with his uncles.
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Sindhi Sufi Music Singer Sohrab Faqeer Biography
Sohrab Faqeer Sindhi Sufi Music Singer. He was born in 1934 in Khairpur Sindh. He was the most popular Sindhi Classical Music, Sindhi Sufi Kalam Artist. He was a famous singer in the Sindhi language. He has sung super hit Sufi Classical Music and he was a respectable Artist in Sindh. He has sung his first song at the shrine of “Kush Khair Muhammad”, “Kadhy Kadam Kaya Khan Bahar Ker”.
After learning about Music Education he joined a group of Artists and started singing in “Bhagat Style”. Sohrab Faqeer was very recognized as the greatest Sindhi Folk Music Artist in Style Music, playing “Yaktaro and Chapri” with a yellow Turban with his group of Sindhi Sufi Faqeers.
He got training from “Khan Sahab Khety Khan” in Rohri, and also he got more musical education from “Ustad Kheta Khan” of Patiala. He visited various countries and he gave great performances in Sindhi Songs. He was awarded the Pride of Performance Award and the Shah Abdul Latif Award. Sohrab Faqeer breathed his last on 23rd October 2009.
History of Sindhi Arfana Kalam and Sufi Music
South Asian Sufi culture is most usually linked to Sufi music. The Sema ceremony of the whirling dervishes, however, also depends on the music. It is done to the vocal and instrumental piece Ayin, which uses conventional Turkish instruments like the ney (a reed flute).
Sufis from Indonesia to Afghanistan to Morocco have made music an integral part of their religious rites. Another form is the West African Gnawa. Some Sufi organizations have embraced a puritanical interpretation of Islam and claim that music is harmful to the Sufi way.
Sindh is considered to be a mystic region, and the term “Sufism in Sindh” alludes to the Sufi tradition there. Sindh is renowned for a large number of saints and mystics who lived there and promoted fraternity and peace. According to legend, 125,000 of them are buried on Makli Hill, not far from Thatta. Sufi literature has historically been produced in considerable quantities in Sindh.
Some academics contend that Usman Marwandi, also known as Lal Shahbaz, was the first Sufi torchbearer in Sindh. He was a 13th-century resident. These academicians assert that Multan, Herat, and Qandhar were the entry points for Sufism into Sindh. Thanks to the poetry of saints like Shah Abdul Latif of Bhit and Sachal Sarmast of Daraz, Sufism grew in popularity in Sindh during the 18th century.
Sindhi Sufi Music’s Importance in Sindhi Culture
How the performative process of relating Islamic philosophical, historical, and religious ideas to sentiments of empathy for narrative protagonists and feelings drawn from personal experience provides the rich indexicality that sustains musical affectivity in Sindhi Sufi Music.
Sindhi Kaafi singers in Katch, Gujarat weave Islamic teachings with dramatic occurrences from local traditions in order to contextualize the music-poetic effect within an Islamic meaning paradigm.
To understand how Kaafi singers infuse explanation and narration into their performances, I look at three implicit performance logics, each of which interacts in a different way with the allusive meanings of Sufi lyrical texts.