The top Pakistani Islami Naat reciter Umm-e-Habiba is the most well-known. Islam’s term for acknowledgment, naats, is Arabic. When used in Urdu, naat denotes the affirmation of the Holy Prophet Hazrat Muhammad (S.A). A poem that exalts the Holy Prophet Muhammad (S.A) is also referred to as a naat in Urdu, and you can download the best naats in several languages, such as the Arabic naat performed by well-known Pakistani naat reciter Umm-e-Habiba.
Umm-e-Habiba recites Naat Sharif was written in Arabic during the lifetime of the Holy Prophet Muhammad (S.A). Naat appeared in endless world-made works, including Punjabi, Sindhi, Pashtu, Seraiki, Persian, Urdu, Turkish, and more.
The writing of Naat Sharif held back in Urdu has a long history and is recited by Umm-e-Habiba. Since fundamentally every Urdu writer has made at any rate a few couplets in affirmation of the Holy Prophet Muhammad (S.A), the certain view of Urdu best Naat abstain is as old as the Urdu area itself.
Regardless of the way that significant skilled workers of Urdu, for example, “Qulli Qutub Shah”, “Vali Dakani”, “Mirza Sauda”, “Mir Taqi Mir”, “Karamat Ali Shaheed” and Ghalib made couplets commending the Holy Prophet of Islam (S.A), it was not until the main segment of the nineteenth century that Naat in Urdu abstains changed into an obvious and unquestionable poetical sort with no other person.
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Umm-e-Habiba Popular Pakistani Naat Khawan Biography
Umm-e-Habiba was born in Karachi Pakistan and she settled in Chicago USA she got training from her father, Qari Fakhrul Hasan Rizvi, in the field of Qiratt and Naat recitation. She has the beautiful voice of Pakistan’s first female Naat Khwan. Umm-e- Habiba recites a lot of great Naats her popular Naat “Kabay Pe Pari Jab Pehli Nazar” is still the most popular all over the World. She has traveled across the world to spread her breathtaking voice and create a great name in the recipes of the best Naats Sharif.
Umm-e-Habiba renowned Pakistani Naat Khawan performed well with her nice voice. She is actually one of the most famous Naat Khawan and most popular in Pakistan and also around the world. She created a great name in the world for her great sweet voice and her unique style of showing Naat Sharif to express admiration for our sacred Holy Prophet Muhammad (S.A).
Islamic Naats: Saira Naseem, Hooriya Rafique, Mehdi Hassan, Umm-e-Habiba, Harfiz Marghoob Ahmed, Alhaj Khurshid Ahmed, Shahbaz Qamar Fareedi
Umm-e-Habiba is the most popular and she recites Naat Sharif and is displayed to general society at a no age. She has won a lot of awards and she has attended national competitions in Pakistan where she had moreover won the principal prizes and is the first female Naat Recitation. She is the most popular Naat Khawan and she is most popular on Radio Pakistan and Pakistan Television.
Importance of Naats Sharif in the religion of Islam?
Naat Sharif is segmented in affirmation of the Islamic Holy prophet, Muhammad (S.A). The planning is notable in South Asia (Bangladesh, Pakistan, and India), ordinarily in Bengali, Pashto, Punjabi, or Urdu. Individuals who talk about the best Naat are known as Naat Khawan or “Sana’a-Khua’an”.
In the “Affirmation to God” God alone is assigned “Hamd Sharif”, not to be mistaken for ‘Naat’. In Arab nations, abstains and adulates said for Hazrat Muhammad Mustafa (S.A) is characterized as “Madih Nabawi”. It is hard to follow the chronicled foundation of Naat Khawani and recite it by Umm-e-Habiba since no insisted record of when it was started can be found.  One early producer, Hassan, was known as Shair-e-Darbaar-e-Risalat. As a general rule, even before suffering Islam, he was a skilled worker, yet in the wake of understanding Islam, he gave another go to his hold back and began making Naats out of thankfulness for Hazrat Muhammad Mustafa (S.A).
He was eminent for his stanza that protected Muhammad Mustafa (S.A) considering adversary pros who assaulted him and his religion. At this moment, is known as the essential Sana-Khawaan means (naat reciter) of that time. After that difference, a creator followed this model and completely committed themselves to making out of naats. “Tala’ al Badru ‘Alayna”, a tune sung to Hazrat Muhammad Mustafa (S.A) during his finishing of development to Medina in 622 CE, is recognized to be one of the soonest Naats.
The History of Islami Naats Sharif
Particularly in the post-1857 time, diverse Urdu specialists made the best Naats Sharif full out of an assessment of the specific circumstance. Altaf Hussain Hali drove the route with his well-known “Musaddas”, titled “Madd-o-Jazar-i-Islam”. It contains various stanzas made in a style out of Naat Sharif.
His different sonnets similarly have Naat parts. With a brief from Hali, Shibli Nomani, Maulana Zafar Ali Khan, and Hazrat Allama Iqbal R.A remained in contact with some moving bits of the serious and nationalistic segment with Naat Sharif parts.
Clearly, both experts were unaware of one another work while making the book and wholeheartedly finished their evaluation. In Pakistan, joining “Sabeeh Rahmani”, Dr. Riaz Majeed made Urdu Mein Naat Goi, the first doctoral proposition in Pakistan on Naat Sharif, which was flowed in 1990. Another skilled worker known for his Naat stanza is “Maulana Ahmed Raza Khan Barelvi”.
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After the open door in 1947, some other time of Naat in Urdu started, particularly in Pakistan. Countless masters are eventually confining Naat Sharif. Be that as it may, it is abnormal that fundamental arrangements with Naat are practically remarkable. “Maulana Hali’s” “Muqaddama-I-Sher-o-Shaeri” is the basic treatise in Urdu on the pros and benchmarks of scholastic assessment, at any rate, it keeps away from anything related to the Naat Sharif stanza.
Summary and Complete Information of Naat Sharif
The writings of “Ameer Meenai” that defend “Mohsin Kakorvi” may be the first central Urdu syntheses that consider Naat Sharif in the context of applicable fortunate situations and wonderful attributes. It was none other than “Muhammad Hasan Askari” who, while creating a film about Mohsin Kakorvi, illuminated the way for the learned individuals who would later form the subject. Nevertheless, Askari is not entirely persuaded by the Naat passages in Hali’s Musaddas.
Askari said that Hali wrote such stanzas from a Western and pioneer perspective, praising some aspects of the life and character of the Holy Prophet Muhammad Mustafa (S.A) that are more consistently “humanistic” than “wonderful” because Askari had sold out pioneers and Modernism.
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Sabeeh Rahmani has provided a configuration history of fundamental and research activities finished on naat in Urdu in his early late conceptualized and appropriate book in Urdu, “Naat Ki Shaeri Rivayet.” He was granted a Ph.D. by the School of Nagpur in 1955 for his composition “Urdu Mein Naatiya Shaeri.” The book “Urdu Ki Naatiya Shaeri” by Dr. Farman Fatehpuri was dispersed from Karachi in 1974. The book “Urdu Ki Naatiya Shaeri” by Dr. Talha Rizvi Barq was dispersed over India that year.
